T. G. Tucker

We are now brought to the consideration of the methods by which this huge empire was organised and governed.

It would be a more than agreeable task to deal at some length with the art of the Roman world of this period, but the subject is vast, and demands a treatise to itself. How general was the love of art - or at least the recognition of its place in life - must be obvious to those who have seen the great collections in Rome, gathered partly from the city itself and partly from the towns and country "villas" of Italy, and those in the National Museum at Naples, acquired mainly from the buried cities of Pompeii and Herculaneum.

In the year 64 the capital of the Roman Empire was, it is true, a large and splendid city and an "epitome of the world," but it had not yet reached either its zenith of splendour or its maximum, of size. Many of the largest and most sumptuous structures of which we possess the records, and in most cases the ruins, were not yet built or even contemplated. There was no Colosseum; there were no Baths of Trajan, Caracalla, or Diocletian. The Column of Trajan, still soaring in the Foro Traiano, and of Marcus Aurelius, now so conspicuous in the Piazza Colonna, are of a later date.

Whatever conceptions may have been entertained as to existence beyond the grave, there was no doubt in the Roman mind as to the claim of the dead to a proper burial and a worthy monument. It had once on a time been a matter of universal belief that the spirit which had departed from an unburied corpse could find no admittance to the company in the realms of Hades. It could not join "the majority" below. Originally no doubt the notion was simply that, as the body had not been consigned to the earth, the spirit also remained homeless above ground.

After this rapid walk through the more interesting parts of the capital, we may consider one or two connected topics of natural interest.

We have taken a general survey of the city of Rome, its open places, streets, and public buildings. We may now look at the houses in which the Romans lived, and at the furniture to be expected inside them.

Throughout the romanized parts of the empire - in other words, wherever Romans settled, in Italy, Spain, Gaul, Britain, and also wherever the richer natives imitated the Roman fashions - the house in any city or considerable town was built as nearly as possible after the type described.

On the customary furniture of a Roman house we need not spend many words. For one thing, it was simple and scanty as compared with the furnishing and upholstering of to-day. For another, its nature presents little that would be strange to us or that would require explanation.

We have seen in what sort of a home a Roman dwelt in town or country. Meanwhile it goes without saying that the non-Roman or non-Romanized populations of the empire were living in houses and amid furniture of their own special type - Greek, Syrian, Egyptian, or as the case might be. They were also living their lives after their own fashion in respect of dress, meals, occupations, and amusements.

We will suppose that Silius is specially inclined for action and society. The afternoon is growing chilly, and, as he has no further ceremonial to undergo, he will probably throw over his toga a richly coloured mantle - violet, amethyst, or scarlet - to be fastened on the shoulder with a buckle or brooch.

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